![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqmqkvCUyzKeDIAInSeQSCN_r4_3ktOCii-gPUbRBcZTmId-N8QyoBd6hPwN4wW9vUMYVDfJjOYrDQWyM4TCxJLPEs62ziES1dgXeld-lGCiiHJvcGO_8o-2SBs1Hbd4-p3J-XtfBMgY8/s320/origin+hayrickMG_1110.jpg) |
Ink on paper with watercolour approx 42cm x 59cm |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR2Y0o_xHG_TeBu8-Ivesd3YSfWAFNzXb5Q6zSSAIKXKHjvbArUIjbcQt6fzFREHwo5Ia8MRkKjmZv1EFtjwBgtN_YDt2kgMEKSJIDpuMSfescsm4HhMXu5P4sJJUktqPIbgQ0_ovQ95s/s320/abstracted+hayrick.jpg) |
ink on paper approx 20x 20 cms |
Part of the horse station that inspired me. I was searching for a new way to work, and i was keen to do something with the muscular directness of a Franz Kline, and knew the story of the chair drawing and the Bell Opticon projector which led to his departure from figurative painting. The hayrick had a resonance for me, and within its handmade structure I found the image I was looking for, I did make one large painting of this subject, and though I love it, and it hangs in my kitchen where I see it every day, I don't feel it fulfilled my ambition for this work. These work are unframed, and may be available in the Open Studios in May, but I may have to keep them in order to make more work from them.
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